Jay Hiro Brown

IF I HAD LEGS I’D KICK YOU review: No offence but that child is surely possessed by the Devil

Ah, children. You love ‘em. You hate ‘em. Sometimes they make you laugh, sometimes they make you scream. Do I want my own children someday? Probably. Do I want my own children after watching this film? I’m starting to question it. Mary Bronstein’s agonisingly cacophonous portrayal of the extremes of motherhood has attracted acclaim for

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THE SECRET AGENT review: Don’t be fooled by the title of this Best Picture nominee (or do, I’m not your mum)

Yes, the title of this Brazilian Best Picture hopeful is a misnomer; The Secret Agent is not a fast-paced thriller about a renegade spy, but instead a dense, layered drama about the wide-spread mundanity of corruption in 1970s Brazil. But don’t let that put you off watching one of the year’s most unique Oscar nominees.

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“WUTHERING HEIGHTS” review: Heathcliff, it’s me, I’m Cathy, I’ve come (full stop)

THIS REVIEW CONTAINS SPOILERS (for a 200 year old novel). Look, if you’re going to turn Wuthering Heights, a gothic masterpiece about a tragic, twisted relationship between the doomed Catherine Earnshaw and downtrodden, volatile Heathcliff, into a psychosexual thriller – at least make sure it’s giving me David Cronenberg horny and not barely scraping Bridgerton

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WHISTLE review: Death is a scream in this fun, familiar horror

THIS REVIEW CONTAINS NO MAJOR SPOILERS.   I was lucky enough this week to attend an early screening of the new horror film Whistle from British director Corin Hardy, who appeared beforehand to introduce the film (and curse us all with its namesake prop). Hardy said he wanted to make his own American high school

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SEND HELP review: Sam Raimi crafts a bloody good time that feels like a throwback thriller

THIS REVIEW CONTAINS SPOILERS. Oh, Sam Raimi, how I love thee. The Evil Dead series (particularly Evil Dead II) is one of my favourite horror franchises; his Spider-Man films still represent some of the best of the superhero genre (well, the first two); and standalone screams like 2009’s Drag Me to Hell are highly memorable.

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THE HAPPINESS OF THE KATAKURIS review: Dancing zombies, claymation stunt doubles & built-in karaoke… What more could you want?

THIS REVIEW CONTAINS SPOILERS. It’s hard out there for those of us with wide-reaching tastes in film. I mean, I love horror, musicals, surreal films, black comedies, satires, fantasy, live-action, animation, stop-motion, you name it. But surely there’s no film out there that combines all of these things into an explosive Smörgåsbord of weirdness… right?

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IRON LUNG review: As a Markiplier fan, I want to defend this imperfect but promising horror

THIS REVIEW CONTAINS SPOILERS. There’s a war on. A bitter war – between Markiplier’s die-hard fans, and the very concept of the film critic. If you brave Reddit you will see countless posts discussing critical reactions to Iron Lung, particularly the discrepancy between the Rotten Tomatoes’ critic vs audience score (50% vs 89% at time

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NO OTHER CHOICE review: Don’t watch this film if you are unemployed (I am starting to get Bad Ideas)

THIS REVIEW CONTAINS SPOILERS. It feels like a disservice to Park Chan-wook’s singularity that so many people (bar the Academy, but what do they know?) are comparing No Other Choice to Bong Joon-ho’s Oscar-winning masterpiece Parasite. Of course both films are fantastic, but surely we don’t have to suggest every Korean film is the same.

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CHATROOM review: Baby Aaron Taylor-Johnson is the ultimate male manipulator in this diabolically bad 2010 thriller

This review contains spoilers.   CW: Suicide   The name Hideo Nakata might not be immediately recognisable to everyone, but I’m sure you’ve heard of his iconic 1998 horror Ring. Yes, the girl crawling out of the TV and scaring the living bejeezus out of you Ring. I consider that film to be an absolute

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